“So from that spring whence comfort seem’d to come
The film is both spoiled and saved by the near-farcical ending which is near-farcical simply because the surprise end was out of the jack-jumping-box for me–and if it has been able to flabbergast me, me who is considered rather talented when it comes to predicting ‘surprises,’ then there is no saying about the average audience out there. Somehow, I had taken it for granted that Raghavan the protagonist was not a criminal. After all, Mammooty would’t be acting in such a heinous role as that of a criminal unsmart enough to get caught, imprisoned, and more appallingly still, to live out out his years in obscurity. Had the role been played by someone less known and therefore less typified, you would have given him the benefit of doubt and so, the ending would not have been as grotesque, so to say.
Raaghavan turns out to be neither victim nor armchair philosopher, but a “man of his word,” a man ruthless (or brave, according to how you choose to look at it) enough to practice his idiosyncratic philosophy of freedom. In a fundamental sense, this freedom is the freedom away from nagging people, Continue reading “Munnariyippu (2014) – “Fair is foul,” or A Warning against Nagging”