Monsoon Sights 001

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From Shreyas Folk Museum premises, Ahmedabad. Edited for effects.

The peacock (look closer if you haven’t spotted him in the photo) seemed to love posing for the cameras. I wished I had a better camera to capture the serene majesty of the bird atop the brightly flowered tree. But I had to make do with an 8mp mobile camera and a photo editor.

Parched

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A view from a train. A chapped, sun-dried terrain, yet amidst the rock bed of some non-existent river, the promising black-blue depths of water  …

(As a rule, I never use ellipses. However my poetry here, in case you didn’t notice, has surprised me so much, I must make an exception.)

Liberation

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From Prarthana Bhoomi, Sabarmati ashram, Ahmedabad.

I realize I keep clicking pictures of trees and odd branches all the time. Trees seem to me the most photogenic and aesthetic of subjects. They look unique and turned out in surprising ways without conscious effort or deliberate beautification.

Unquestionable: Review of DANGAL (2016)

Dangal, the new Aamir Khan production in collaboration with Disney studio, is in the tradition of Pink (2016), made under the ‘girls are great’ banner, but with lesser didacticism and better cinematic sense. Dangal is directed at the crude, patriarchal, institutionalized mindset characteristic of the average Indian man or woman, and, this is important, not at the enlightened, highbrow, nitpicking intellectual, like you or me. It is, first and foremost, an entertainer. And does it’s job well. 

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