The Suppression of Curiosity and of the Individual in Alma

Alma (2009, Spain) is an animated short film by ex-Pixar animator, Rodrigo Blaas. The storyline goes thus: a little girl, passing along a desolate snowy street is “enchanted” by an eerie toyshop that mysteriously unlocks its door and lures her in. The doll that fascinates her keeps shifting farther and farther into the shop, and the child, unsuspecting and with utter awe, reaches out and touches the doll. After a series of nightmarish, pediophobiac shots, the child disappears and we only hear the sound of muffled anxious breathing from within the doll. True to her name, Alma, which means “soul” in Spanish, the child’s soul has become entrapped within the doll. The film ends on this disturbingly ambiguous note.

The film’s producer, Cécile Hokes, while admitting that the film has no moral lesson, remarked that Alma is the story of “a little girl, very nosy, who is interested in everything and who would be punished because of her curiosity.” The tragic doom of the child is attributed to her curiosity (read nosiness). Continue reading

“You are henceforth secure, whatever comes or goes”

It is not to diffuse you that you were born of your mother and
father, it is to identify you,
It is not that you should be undecided, but that you should be decided,
Something long preparing and formless is arrived and form’d in you,
You are henceforth secure, whatever comes or goes.

WALT WHITMAN, Leaves of Grass